Entertainment

Photography series shines the spotlight on Chennai’s lightmen

Advertisement


Photographer Madhavan Palanisamy on his newest black-and-white challenge, ‘The Reflector’

Advertisement

The solar throws mellow afternoon gentle via the home windows. Dancing keyholes of lancet-shaped leaves exterior type patterns on the tiled flooring. Like an summary portray. Like Chennai-based photographer Madhavan Palanisamy’s footage.

The 44-year-old award successful lensman has, in most of his initiatives, shot photos that replicate the true world however cloaked them in a veneer of the fantastical and imaginative. His newest The Reflector, created over two days in October, is a tribute to the lightmen of Chennai.

Advertisement

“They’re cupids of sunshine, brokers of the moon, human boom-rods. They will climb any mountain high or tree or something to replicate the sunshine. A jovial bunch, they run round shouting directions to their fellow-agents and responding ‘ready-sir!’ to the DOP or the photographer. These males are super-heroes in their very own proper. The Reflector is their story,” says Madhavan over cellphone.

Coimbatore-born Madhavan gained Lensculture’s B&W Sequence award in 2019 (Lensculture is without doubt one of the most complete and far-reaching sources for locating modern images expertise around the globe) for his work Appa and Different Animals, a tribute to the time spent along with his late father, the well-known author and literary critic Kovai Gnani.

Advertisement

Empathetic hyperlinks

Madhavan’s work that choreographs portraiture and documentary goals to create an empathetic hyperlink between viewer and topic, a mirrored image of his personal journey with detours via a level in Biochemistry and work in promoting earlier than he discovered his calling in images. He has since metamorphosed into portraiture, photographing celebrities, sustainable vogue and human tales.

Photography series shines the spotlight on Chennai’s lightmen

“The pandemic restricted journey and business jobs but additionally gave artists time to dwell on sure points of life which might be typically hijacked by typical work. The award pushed me to work on telling extra tales of atypical folks,” he says.

Advertisement

Which is how Madhavan got here to inform the story of the lightmen, who’re among the many silent sentinels of the movie, tv and images industries, going about units and studios lugging lights and strobes with an earnestness that ensures productiveness.

“They know how one can form the sunshine and the temper, however with the trade shut down as a result of pandemic, loads of these males had been with out jobs, revenue or meals. Even now, because the trade opens up slowly, they’re unable to discover a sustainable residing. The roles are high-risk, however most of them will not be a part of any union which makes it tougher for them to search out work. The Reflector is a part-docu, part-fantasy story about these males who use their dinner plates to replicate the sunshine and produce consideration to their situation,” he provides.

Advertisement
Pictures from The Reflector series

Madhavan shot the sequence on movie utilizing a Rolleicord TLR digicam, a 60-year-old vintage for the sq. footage, and a extra trendy Contax G2 for the horizontal footage.

Staff effort

He rounded up outdated faithfuls — some like Ramesh Kumar, a darkroom printer and photographer had taught him in his early years. Some like “well-known lightmen Mohan and Mohaideen, fondly referred to as bhai had introduced their crew for the shoot. Suresh, who runs the studio Setfire, Pandian and Vasu who work there, and Amal, a contract assistant, had been additionally a part of the challenge”.

Advertisement
Pictures from The Reflector series

The 20 individuals who featured had been shot at deserted units, on sand heaps and atop sliding boards and staircases. Some had crowns and wings superimposed on them. Others had billboards for faces. However the one object that linked them was a dinner plate — that shone just like the solar, the moon’s reflection in a puddle, a beam of sunshine from a lighthouse, and because the passion of a person who is aware of he holds the sunshine to illumine an excellent image.

The images shot in black-and-white had been processed by Karthik Thorali at Madras Atelier. The result’s a surreal, palpable portrait of a group — obscure but recognisable, acquainted but enigmatic.

Advertisement

Go to Madhavan’s web site at https://madhavanpalanisamy.com/.



Source link

Advertisement
Advertisement

Related Articles

Back to top button